My name is Slawka Grabowska. I organize Donostia Book Club. We meet every month to discuss previously chosen books or short stories. Check out our FB page! https://www.facebook.com/pages/Donostia-Book-Club/105225566276875?ref=hl
So last Wednesday we met to discuss 'Atonement' by Ian McEwan in Museum's San Telmo library. Our meeting was one of the activities accompanying temporal exposition 1813. Asedio, incendio y reconstrucción de San Sebastián. The esposition tries to show the complexity of war and its influence on people's lives during peace. So does 'Atonement'. It perfectly captures the brutality of love, war and guilt.
Ian McEwan’s symphonic novel of love and war, childhood and class, guilt and forgiveness provides all the satisfaction of a brilliant narrative and the provocation we have come to expect from this master of English prose.
On a hot summer day in 1934, thirteen-year-old Briony Tallis witnesses a moment’s flirtation between her older sister, Cecilia, and Robbie Turner, the son of a servant and Cecilia’s childhood friend. But Briony’s incomplete grasp of adult motives—together with her precocious literary gifts—brings about a crime that will change all their lives. As it follows that crime’s repercussions through the chaos and carnage of World War II and into the close of the twentieth century, Atonement engages the reader on every conceivable level, with an ease and authority that mark it as a genuine masterpiece.
It is written in 3 major parts and a final denouement from the author. It opens up with a Romantic nove quote: a letter from Jane Austen's 'Northanger Abbey, which already suggests part of the problem in the story and sets the tone for the book that will be packed with literary allegory. In a way the form of the book walks us through some of English literature's historical period:
1. Austen's Romanticism, shifting impressions. It's all about perception and misinterpretation. Lots of metaphors and descriptions.
2. Historical Fiction War Story, brutal, graphic account of war, destruction etc.
3. Victorian or Modern Memoir where we clearly see the change in the main character and how the events influence her.
4. Post Modern speculation and theory, the unexpected (but hinted various times in the book) ending.
There are 2 important questions that the reader keeps on asking himself while reading: Whose story is this? and What is real and what is just imagined?
The final part gives the answer to both of them.
Finally, if you are interested in more detailed reviews and 'professional' literary criticism, here is the list of links from Ian McEwan's website (the articles are really impressive and open our eyes to many interesting problems in this complex story!):
Reviews and Literary Criticism
(Visit the Bibliography page for links to Non-English criticism)
'A Fiction Triumphant and Tragic', The Times (London), 12 September 2001.
Brookner, Anita. 'A Morbid Procedure', Spectator, 15 September 2001: 44.
McEwan, Ian. 'ATONEMENT: DUNKIRK 1940', The Independent (London), 15 September 2001: 1-2. (Excerpt from the novel.)
Sutcliffe, William. 'A Master's Voice Lost in a Tempest of Composition', Independent on Sunday (London), 16 September 2001: 15.
Winder, Robert. 'Between the Acts', New Statesman, 17 September 2001: 49-50.
'Saying Sorry', Economist, 22 September 2001: 68.
Dyer, Geoff. 'Who's Afraid of Influence?', The Guardian (London), 22 September 2001: 8.
Hermione, Lee. 'If Your Memories Serve You Well ...', The Observer, 23 September 2001.
Macfarlane, Robert. 'A Version of Events', Times Literary Supplement, 5139, 28 September 2001: 23.
Billen, Andrew. 'Tea in the Garden of Good and Evil', Sunday Herald, 30 September 2001: 3.
Gartner, Zsuzsi. 'Nothing to Atone For', The Globe and Mail (Books), October 2001.
Kermode, Frank. 'Point of View', London Review of Books, 23:19, 4 October 2001.
Bouman, Hans. 'Geen boetekleed voor God of de Romanschrijver', de Volkskrant, 5 October 2001.
Smith, Ray. 'Power and Stature', The Gazette (Montreal), 13 October 2001.
Richler, Noah. 'A Spectacular Ian McEwan', National Post, 19 October 2001.
Wiersema, Robert J. 'Fiction Doesn't Get Any Better', Vancouver Sun, 27 October 2001.
Rungren, Lawrence. 'Atonement', Library Journal, 126:19, 15 November 2001: 97.
Seaman, Donna. 'Atonement', Booklist, 98:6, 15 November 2001: 523.
Taitz, Laurice. 'Book of the Week: Atonement', Sunday Times (South Africa), 18 November 2001.
Zaleski, Jeff. 'Atonement', Publishers Weekly, 248:47: 19 November 2001: 45.
Crane, Edythe. 'Disconnect the Phone, Lock the Doors and Wait for the Surprising Ending', Times-Colonist(Victoria BC), 25 November 2001.
'Atonement', Kirkus Reviews, 69:23, 1 December 2001: 1637.
'Atonement', Economist, 22 December 2001: 107.
Eagleton, Terry. 'A Beautiful and Elusive Tale', Lancet, 358:9299, 22-29 December 2001: 2177.
Marchand, Philip. 'A Trick of the Light', The Toronto Star, 23 December 2001.
Kubiacki, Maria. 'In Plain Sight - an Error That Reverberated Through a Lifetime', Ottawa Citizen, 13 January 2002.
Bethune, Brian. 'Look Back in Melancholy', Maclean's, 115:2, 14 January 2002: 45-46.
Gibbons, Fiachra. 'McEwan's Chance to Turn the Tables', The Guardian (London), 21 January 2002: 1.
Messud, Claire. 'The Beauty of the Conjuring', Atlantic Monthly, 289:3, February 2002: 106-109.
Caldwell, Gail. 'Summer and Smoke in the Shadow of War: A young girl's misconception is the hinge of Ian McEwan's masterful Atonement', Boston Globe (Books), March 2002.
Hattori, Noriyuki. 'Fikushon no "tsugunai"', Eigo Seinen/Rising Generation, 147:12, March 2002: 752.
Merkin, Daphne. 'The End of Innocence', Los Angeles Times (Book Review), March 2002.
Messud, Claire. 'The Beauty of the Conjuring', Atlantic Monthly, 289:3, March 2002: 106-109.
Miller, Adrienne. 'Big Important Book of the Month: Atonement', Esquire, 137:3, March 2002: 61.
Richardson, Elaina. 'An Explosive Untruth Sets in Motion Ian McEwan's Un-Put-Downable Atonement', O Magazine, March 2002.
Shone, Tom. 'White Lies', New York Times Book Reviews, March 2002.
Updike, John. 'Flesh on Flesh', The New Yorker, March 2002.
Walton, David. 'Journey into Terror', Milwaukee Journal Sentinel, 3 March 2002.
Kakutani, Michiko. 'And When She Was Bad She Was...', New York Times, 7 March 2002: E1.
Cheuse, Alan. 'Ian McEwan Adds History to His Motifs of Love, Death', Chicago Tribune, 10 March 2002: 14.
Merkin, Daphne. 'The End of Innocence', Los Angeles Times Book Review, 10 March 2002: 3.
Shone, Tom. 'White Lies', New York Times Book Review, 10 March 2002: 8-9.
Wiegand, David. 'Stumbling Into Fate - Accidents and Choices Trip up the Characters in Ian McEwan's New Novel', San Francisco Chronicle, 10 March 2002.
Wiegand, David. 'Getting Rid of the Ghosts (Q & A: Ian McEwan)', San Francisco Chronicle, 10 March 2002: M2.
Mendelsohn, Daniel. 'Unforgiven', New York Metro (Books), 12 March 2002.
Begley, Adam. 'A Novel of Discrete Parts, Blessedly at One with Itself', New York Observer, 18 March 2002.
Tarloff, Erik and Geraldine Brooks. 'The Book Club', Slate, 18-19 March 2002.
Charles, Ron. 'A Portrait of the Artist As a Young Terror', Christian Science Monitor, 14 March 2002: 19.
Rocca, Francis X. 'Atonement', Wall Street Journal, 239:52, 15 March 2002: W8.
Caldwell, Gail. 'Summer and Smoke in the Shadow of War', Boston Globe, 17 March 2002: E3.
Vidimos, Robin. 'A Separate Penance', Denver Post, 17 March 2002: EE1.
Yardley, Jonathan. 'The Wounds of Love', Washington Post, 17 March 2002: 1.
'Luminous Novel From Dark Master', Newsweek, 139:11, 18 March 2002: 62-63. [Includes interview.]
Mendelsohn, Daniel. 'Unforgiven', New York, 35:9, 18 March 2002: 53.
Yardley, Jonathan. 'Ian McEwan, Arriving on Time', Washington Post, 18 March 2002: C2.
Miller, Laura. 'Atonement by Ian McEwan', Salon.com, 21 March 2002.
Gibbon, Maureen. 'Fiction: Atonement', Star Tribune, 24 March 2002.
Shriver, Lionel. 'Classic Novel Lives On', Philadelphia Inquirer, 24 March 2002.
Wood, James. 'The Trick of Truth', The New Republic, 226:11, 25 March 2002: 28-34.
Lacayo, Richard. 'Twisted Sister', Time, 159:12, 25 March 2002: 70.
Maryles, Daisy. 'A Booker Hooker', Publishers Weekly, 249:12, 25 March 2002: 18.
Papinchak, Robert Allen. 'The Sins of the Child Set 'Atonement' in Motion', USA Today, 26 March 2002: D4.
Schwartz, Lynne Sharon. 'Quests for Redemption', New Leader, 85:2, March-April 2002: 23-25.
Wondolowski, Rupert. 'Atonement', Baltimore City Paper, 3-9 April 2002.
McCay, Mary A.. 'Secrets & Lies', Times - Picayune, 7 April 2002: D7.
Ezard, John. 'McEwan's Novel Wins Prize at Last', The Guardian (London), 10 April 2002: 1.
Lanchester, John. 'The Dangers of Innocence', The New York Review of Books, 49:6, 11 April 2002: 24-26.
Cremins, Robert. 'Coming to Be at One', Houston Chronicle, 19 April 2002: Z19.
Vellucci, Michelle. 'Atonement', People Weekly, 57:15, 22 April 2002: 43.
Gussow, Mel. 'Ian McEwan's Latest Novel Charts an Emotional Journey', New York Times, 23 April 2002: 1.
Lezard, Nicholas. 'Pick of the Week: Nicholas Lezard Has Reservations About McEwan's Masterpiece', The Guardian (London), 27 April 2002: 11.
Boerner, Margaret. 'A Bad End', Weekly Standard, 7:32, 29 April 2002: 43-46.
Wheeler, Edward T.. 'The Lies of Novelists', Commonweal, 129:9, 3 May 2002: 26-28.
'Atonement', Solares Hill, 25:18, 3 May 2002: 14.
Gussow, Mel. 'Atoning for His Past', The Age, 5 May 2002. [Reprinted from the New York Times.]
Locke, Scarth. 'Atonement', Willamette Week, 28:27, 8 May 2002: 76.
Shone, Tom. 'White Lies', New York Times Book Review, 10 May 2002: 7-8.
Houser, Gordon. 'Ripples of Sin', Christian Century, 119:11, 22-29 May 2002: 30-31.
Roberts, Rex. 'Quite Write', Insight on the News, 18:19, 27 May 2002: 25.
Neufeld, Rob. 'McEwan Creates Delicious Drama in Atonement', The Asheville Citizen-Times, 31 May 2002.
Woodcock, Susan H. 'Atonement', School Library Journal, 48:6, June 2002: 172-173.
'It Master: Ian McEwan', Entertainment Weekly, 20 June 2002.
O'Rourke, Meghan. 'Fiction in Review', Yale Review, 90:3, July 2002: 159+.
Park, Ed. 'Atonement', Village Voice, 47:27, 9 July 2002: 40.
Breslin, John B. 'Lies and War', America, 187:2, 15-22 July 2002: 22-23.
Clark, Katherine. 'A Guilty Pleasure: Ian McEwan's 'Atonement' Richly Deserves Best-seller Status', Mobile Register (Alabama), 20 July 2002.
De Vera, Ruel S. 'McEwan's Book of the Unforgiven', Inquirer News Service, 28 July 2002.
Rüedi, Peter. 'So spannend kann Langeweile sein', Die Weltwoche (Zürich), 29 August 2002.
Barrett, Daniel. 'The World Just So', Yale Review of Books, 5:3, Summer 2002.
Stefan-Cole, J. 'Atonement--Ian McEwan: A Non-Review', Free Williamsburg, 30, September 2002.
Gurpegui, José Antonio. 'Untitled', EL CULTURAL, 17-23 October 2002.
Bach, Mauricio. 'ENTREVISTA a Ian McEwan, escritor británico, que publica Expiación: "Vivimos entre dos modelos de sociedad sin diálogo posible"', La Vanguardia, 20 October 2002. (Interview)
Compton, Matt. 'Atonement Book Review', The Carolina Beacon, 2:1, 20 October 2002.
Lozano, Antonio. 'Expiación', Que Leer, 70, October 2002.
Lozano, Antonio. 'Un perverso exquisito', Que Leer, 71, November 2002. (Interview)
Bach, Mauricio. 'La niña que arruinó la vida de un hombre', La Vanguardia, 13 November 2002.
Finney, Brian. 'Briony's Stand Against Oblivion: Ian McEwan's Atonement'. Brian Finney's Website, 2002.
Pittau, Martina. 'Nel labirinto della scrittura. Atonement di Ian McEwan', Università di Cagliari, 2001-2002 (relatore Prof.ssa Irene Meloni).
Mullan, John. 'Between the Lines', Guardian, 8 March 2003: 31. [Mullan begins a series of articles on Atonement.]
Mullan, John. 'Looking Forward to the Past', Guardian, 15 March 2003: 32. [Mullan's second article in a series onAtonement.]
Mullan, John. 'Turning up the Heat', Guardian, 22 March 2003: 32. [Mullan's third article in a series onAtonement.]
Mullan, John. 'Beyond Fiction', Guardian, 29 March 2003: 32. [Mullan's fourth article in a series on Atonement.]
Apstein, Barbara. 'Ian McEwan's Atonement and "The Techniques of Mrs. Woolf"', Virginia Woolf Miscellany, 64, Fall-Winter 2003: 11-12.
Finney, Brian. "Briony's Stand against Oblivion: The Making of Fiction in Ian McEwan's Atonement." Journal of Modern Literature, 27:3, Winter 2004: 68-82.
Fraga, Jesús. 'Entrevista: Ian McEwan.' La Voz de Galicia, 6 March 2004: 54 [Interview about Expiación].
Ingersoll, Earl G. 'Intertextuality in L. P. Hartley's The Go-Between and Ian McEwan's Atonement', Forum for Modern Language Studies, 40:3, July 2004: 241-258.
Reynier, Christine. 'La Citation in abstentia à l'ouvre dans Atonement de Ian McEwan', EREA 2.1 (printemps 2004): 61-68. <www.e-rea.org>
Yata, Keiji. 'Showing Off Damaged Bodies: Ian McEwan's Atonement', Bulletin of Tokyo Kasei University, 45:1, 2005: 49-58. (English)
Hidalgo, Pilar. "Memory and Storytelling in Ian McEwan's Atonement." Critique: Studies in Contemporary Fiction, 46:2, Winter 2005: 82-91.
Tabakowska, Elzbieta. "Iconicity as a Function of Point of View." Outside-In-Inside-Out: Iconicity in Language and Literature. Eds. Costantino Maeder, Olga Fischer, and William Herlofsky. Amsterdam: Benjamins; 2005. 375-87 [Discusses Atonement].
Léorat, Nicole. 'Surfaces d'inscription et d'effacement dans le récit palimpsestes d'Ian McEwan, Atonement', in: Marie-Odile Salati (ed.). Jeux de surface (Actes de colloque). Chambery: Université de Savoie. 2006. 13-28.
D'Hoker, Elke. "Confession and Atonement in Contemporary Fiction: J. M. Coetzee, John Banville, and Ian McEwan." Critique: Studies in Contemporary Fiction, 48:1, Fall 2006: 31-43.
Parey, Armelle. 'Ordre et chaos dans Atonement d'Ian McEwan', Cercles, Occasional Paper Series (2007) 93-102. <www.cercles.com>
Crosthwaite, Paul. "Speed, War, and Traumatic Affect: Reading Ian McEwan's Atonement." Cultural Politics, 3:1, 2007: 51-70 [Abstract available].
Mathews, Peter. "The Impression of a Deeper Darkness: Ian McEwan's Atonement" English Studies in Canada32.1 (March 2006): 147-60.
Müller-Wood, Anja. "Enabling Resistance: Teaching Atonement in Germany", in Steven Barfield, Anja Müller-Wood, Philip Tew and Leigh Wilson (eds), Teaching Contemporary British Fiction (Heidelberg: Winter, 2007): 143-58.
P.S Also to those who haven;t read the book and came to our meeting: Why don't you share your impressions on Amaia García Martínez's blog: